PARISFERRIS-2
We were working in Paris, and this was close to our hotel. Each day it looked a little different, so I started a diary. When shooting film, you have to commit 36 exposures to B&W or Color, and that often dictates what I shoot or don’t, and it’s rare, at least for me, that a picture is equally compelling in both. The sky cooperated in this experiment.
Paris, FR 2008
Camera: Leica M6
Lens: 35mm Sumicron
Film: Kodak Portra 400
ALL PRINTS ON LUSTER PAPER
ALL FRAMES ARE SATIN BLACK WITH REGULAR GLASS.
FREE DOMESTIC SHIPPING
For International, contact me, and we can work something out.
We were working in Paris, and this was close to our hotel. Each day it looked a little different, so I started a diary. When shooting film, you have to commit 36 exposures to B&W or Color, and that often dictates what I shoot or don’t, and it’s rare, at least for me, that a picture is equally compelling in both. The sky cooperated in this experiment.
Paris, FR 2008
Camera: Leica M6
Lens: 35mm Sumicron
Film: Kodak Portra 400
ALL PRINTS ON LUSTER PAPER
ALL FRAMES ARE SATIN BLACK WITH REGULAR GLASS.
FREE DOMESTIC SHIPPING
For International, contact me, and we can work something out.
We were working in Paris, and this was close to our hotel. Each day it looked a little different, so I started a diary. When shooting film, you have to commit 36 exposures to B&W or Color, and that often dictates what I shoot or don’t, and it’s rare, at least for me, that a picture is equally compelling in both. The sky cooperated in this experiment.
Paris, FR 2008
Camera: Leica M6
Lens: 35mm Sumicron
Film: Kodak Portra 400
ALL PRINTS ON LUSTER PAPER
ALL FRAMES ARE SATIN BLACK WITH REGULAR GLASS.
FREE DOMESTIC SHIPPING
For International, contact me, and we can work something out.